Monday, September 23, 2013

Stay Gold!



The 1920s has been described as the decade in which fashion entered the modern era.  The '20s and  '30s saw flappers, shift dresses, hats for men (fedoras, bowler hats and newsboy caps), and accessories such as elbow length gloves.  The art world saw the rise of Surrealism and Art Deco.  

When Creative Director Ana Cunningham stumbled upon a stack of vintage Vogue, Harper’s Bazaar and Vanity Fair magazines at a garage sale, she bought them immediately.  The publication dates range from 1924 – 1940 and their pages are full of stunning artwork, advertisements and fashion.





Comparing magazines from the '30s with the modern day magazine insert also proves interesting.  Here is the Globe Style Advisor insert for Fall 2013 with the vintage magazines for contrast. 




  


The trends from the Roaring Twenties and the 1930s continue to inspire many different aspects of film, music, fashion, pop culture and interior design, to name a few areas.  


Creative Matters’ 25th Anniversary line of rug designs captures the essence of the era with the “silver and golden hues yet intricate patterning” that is reminiscent of F. Scott Fitzgerald’s “The Great Gatsby.”  The latest line of luxurious fair trade rug designs will launch at the New York International Carpet Show in October 2013.  Here are some of the designs next to the pages of the vintage magazines.




 Empire, XXV Collection


Dream - Vibrant, XXV Collection


 Dream - Gold and Silver, XXV Collection

Twiggy, XXV Collection



It’s not hard to see how current clothing trends are also derived from these fashions.  Brooks Brothers recently put out a Great Gatsby line of menswear, and other major retailers like ASOS and Topshop offer pieces to replicate this “iconic style with a modern twist.”
 
The Creative Matters team looks forward to the October launch in Manhattan at the New York International Carpet Show, described as an “inviting and established showcase for the most current and innovative products by visionary artisan carpetmakers.”  

Until next time...







Tuesday, September 10, 2013

Meet the Design Team, Part III

Introducing the Design Team, Part III

If you missed earlier installments, click to get caught up on the Administrative Team, the Design Team Part I and the Design Team Part II


Leah Phillips, Art Director

Originally from Fredericton, New Brunswick, Leah has been with Creative Matters for the past six years and in textile design for over 15 years.  She studied Fabric Surface Design at New Brunswick College of Craft & Design and brings a variety of skills and expertise to the design team in her role as Art Director. 
 

Leah’s eye for the innovative shines through as she loves to mix traditional and contemporary techniques.  She doesn’t shy away from making a mess and working with her hands on Art Day as the designers are inspired to create new and fresh designs. 




Ana Cunningham, Creative Director/Project Manager


Having been inspired by textiles while traveling in Ghana, West Africa, Ana brings her international experience to Creative Matters.  Back in Canada, she graduated from the Textile studio at Sheridan Institute and has been an integral part of the Creative Matters team for 15 years. 


She views textiles as a vehicle for self-expression and storytelling, and this passion is relayed in her role as Creative Director/Project Manager.  Ana is always ready for a challenge and approaches Art Day with excitement for the opportunity and freedom to explore different mediums and their capabilities. 

As a bonus, click here to read an interview all about Ana's education background.
 




Ali McMurter, Senior Designer

Ali grew up in Streetsville and attended the University of Guelph for Fine Art and Geography.  Upon graduation she worked in a design studio in New York, then later moved home to work in Toronto and has been with the CMI team since 2006. 

She is deeply interested in the effect of colour, lines and texture, and exploring different materials.  Ali is inspired by found materials as a medium, full of possibility and history.  One of her favorite parts of working with textiles is the process: “manufacturing techniques, influences and stories.”  



Friday, September 6, 2013

Back to School


A new school year has started!  It’s always a little sad to say goodbye to summer, but there is an excitement to the new year and all the opportunities and possibilities it can bring.  Here at the CMI office we’ve been reflecting on our own school days. 



Photographs are from an Art Day that Creative Matters ran in "Hamro Ghar", a school run in cooperation with Goodweave for children that have been saved from weaving mills.

Tell us about your program of study and other programs you considered studying?

Elizabeth: “I went to school at OCAD for Fibre Arts and I considered ceramics, jewellery, interior design.”

Ana: “I studied Textile Design at Sheridan College (SOCAD), with a focus on printing, dyeing, material exploration and design.  Other programs I considered studying were Graphic Design and Illustration. I currently freelance as an Illustrator during my free time, which I enjoy as it offers very different parameters compared to what I do here at CMI, aside from being another creative outlet for me.”

Ange: "I went to Sheridan College and took the Crafts & Design Program. When I went there you had the option to take 2 of the craft courses the first semester (Textiles, Glass, Furniture, Ceramics) and then decide which one you wanted to major in.  I took Textiles & Glass Blowing and obviously majored in Textiles.  The textile program is very hands on and covers many different things like:  fabric printing (painting by hand/ screen printing), printing with different mediums (pigments & dyes..etc), paper making, felt making, pattern making, dye chemistry, pattern design, digital design, sewing, etc."


What advice would you give someone trying to decide which program to study?

Elizabeth: “Take the one that you find the most exciting.  If you come alive when doing things from the program it's the right one for you.  Try a few different subjects to know you've made the right decision.”

Ana: “This is not for everybody, but taking time off after high school to travel allowed me to hone in on what I wanted to study. Being surrounded by bold textiles during my stay in Ghana is what ultimately set me on my path.”

Ange: "As soon as I saw the Sheridan Textile Studio (during a school tour) I knew I wanted to go there.  I didn't want to apply to other schools/programs but my parents talked me into it just incase I didn't get in.  I applied to other schools for Graphic Design as my back up."



From the most recent Art Day.
 
Did you have a most enjoyable moment, lesson or course while you were in school?  How did that moment shape what you do now?

Elizabeth: “I loved silk screening any time I got into the studio that's where I went.   I love pattern and texture so carpets as a medium is pretty appropriate.”

Ana: “After working many days (and nights) on a printed textile piece, the moment seeing the finished product come out of the heat set machine was always an exhilarating one.  The continuous learning and understanding of the qualities we offer and how we can manipulate them to convey the desired intent is a fascinating aspect of what we do. Whenever a finished rug or a package of samples arrive from the mill, I get that same feeling of anticipation and excitement.”

Ange:  "My favourite course in the Textile Program was the Surface Design Class.  We would have full days of sketching/drawing/mark making in our sketchbooks and on large papers with different materials and mediums.  We would use the marks/things we created in this class for our pattern designs and assignments.  The art days that we now have at CMI are based on the surface design classes from Sheridan.  When I attended Sheridan the studio classes were fairly small (maybe 12-15 people) so everyone was really close, kind of like a small family.  I really enjoyed working so closely with people and having them critique my work."


What advice would give students deciding to pursue a design program?

Elizabeth: “Don't expect to have a social life if you get in.”

Ana: “Students have so much more access to information now and my advice would be to research and fully understand the field you are planning to study. Networking with people who are already in the field will be an asset later on.”

Ange: "I would tell them to look into all of the options and then decide which is right for them.  There are so many different programs out there that offer many different things."